During the Middle Ages, the word “artista” referred to something resembling “craftsman,” or student of the humanities. The first division into “major” and “minor” arts dates again to the 1400s with the work of Leon Battista Alberti, which targeted on the significance of the intellectual skills of the artist somewhat than the handbook abilities of a craftsman. The European academies of the sixteenth century formally solidified the hole between the fine and the utilized arts, which exists in varying levels to today. Generally talking, the applied arts apply design and aesthetics to objects of everyday use, whereas the nice arts …